It’s been some time since there’s
been a historical post on this blog, so here’s one.
There are translators who are justly famous for introducing an author or a work into another culture: Constance Garnett for Tolstoy in England, Rimbaud for Poe in France, Rabassa for García Márquez in the United States, and so on. And then there are translators whose fame is at a transcendent level because they introduced not just a single author but a whole culture or civilisation. Such were Hunain ibn Ishaq and his colleagues and acolytes at the Bait al-Hikma in ninth-century Baghdad who transferred the wisdom and science of the Greeks to the Arabs; or Young and Champollion, translators at the graphemic level, who unlocked the mysteries of Ancient Egypt; or Sir William Jones, who made the first English translations of several classical Indian works.
One translator in the second category is much less well known today,
although in his own day his most important translations drew even the prime
minister of England to come and listen to him lecture. Yet curiously enough he
isn’t mentioned in the otherwise admirable Translators Through History. And if
you are looking for him with a browser you have to distinguish him from the
dozens of others with the same very common English name: George Smith.
He was a native, self-educated translator with excellent mentors.
Smith's natural
talent for cuneiform studies was first noticed by Samuel Birch, Egyptologist and Director of the Department of Antiquities,
who brought the young man to the attention of Rawlinson, who was a renowned Assyriologist. As
early as 1861, he was working evenings sorting and cleaning the mass of friable
fragments of clay cylinders and tablets in the Museum's storage rooms. The work
of piecing together the thousands of fragments was a colossal jigsaw puzzle.
By
1871, Smith published the Annals of Assur-bani-pal, which he had transliterated
and translated, and he had communicated to the newly founded Society of Biblical Archaeology a
paper on The Early History of Babylonia,
and an account of his decipherment of
the Cypriote inscriptions that had been discovered in 1800 (see Sources below).
Smith’s greatest discovery came the following
year, 1872, when he achieved worldwide fame by his translation of
the Chaldaean account
of the Great Flood, which he read before the Society of Biblical Archaeology on 3 December and whose audience included
the Prime Minister William Ewart Gladstone. According
to the accounts of his co-workers in the reading room of the Museum library, on
the day of the discovery, when Smith realized what he was reading he
"began to remove articles of his clothing" and run around the room
shouting in delight. (This must have happened in Panizzi’s magnificent new
Reading room, seated in whose broad wooden armchairs I too did research when I
was a student at nearby SOAS.)
The text that excited Smith so much is better
known today as the eleventh tablet of the Epic of Gilgamesh (/ˈɡɪlɡəmɛʃ/) , one of the oldest known works of literature.
It had been discovered by Hormuzd Rassam in 1853 on an archeological mission
for the British Museum on behalf of his colleague and mentor Layard. He found it in the ruins of the library of the seventh-century BC Asssyrian king Ashurbanipal. The Epic of Gilgamesh is an epic poem from ancient Mesopotamia, regarded as the
earliest surviving notable work of literature. By this translation Smith single-handedly opened
up to the West the literature and civilisation of Sumeria from around 2100 BC.
The tablet describes how the gods sent a flood to destroy the
world and how one man, Utnapishtim, was forewarned and tasked by the god Enki to abandon
his worldly possessions and build a giant ship to house and preserve living
things; and how after the flood he sent out birds to look for dry land. It came as a bombshell to the fundamentalist-minded
Victorians, for here was an account unmistakably similar to the story of Noah’s
Ark in the Hebrew Pentateuch but several centuries older.
A London newspaper, The Daily Telegraph, was
moved to finance another expedition. It arranged for Smith to go to Nineveh and carry out excavations with a view to finding the
missing fragments of the Flood story. This journey resulted in the discovery of
some missing tablets. Smith spent most of the year 1875 fixing together
and translating the fragments relating to the Creation, the results of which were published in The Chaldaean Account of Genesis (1880, co-written with Archibald Sayce).
In March 1876, the trustees of the British
Museum sent Smith once more to excavate the rest of the Library of Ashurbanipal. At Ikisji, a small village about sixty miles northeast of Aleppo, he fell ill with dysentery, the bane of many Middle Eastern travellers, and died from it aged only 36.
Sources
George Smith (Assyriologist). Wikipedia, 2021.
British Museum reading room. Wikipedia, 2021.
Massimo
Perna. Corpus of Cypriote syllabic inscriptions
of the 1st millennium BC. Kyprios Character, 2020.
Epic of Gilgamesh.
Wikipedia, 2021
Utnapishtim. Wikipedia, 2021.
Image
Gilgamesh, King of Uruk.
Source: Geohistoria