The translating done by schoolchildren that is described
in the academic literature is mostly of the school language brokering kind. It’s
a practical, everyday activity, part
linguistic part cultural, between
students, staff and parents. There have been several examples of it on this
blog, notably the Young Interpreter Scheme in British schools. (To find the
posts, enter Hampshire in the Search box on the right.) But children are
capable of translating at a much more advanced intellectual level if they are given
the right motivation and encouragement – as indeed they should be.
One school that recognises and stimulates this
potential is Christ’s Hospital at Horsham in the south of England. As its name suggests, it’s a very old school;
it was founded in London in 1552 when hospital meant “a charitable institution for the needy,
aged, infirm, or young.” Its curriculum, like its uniform, has
remained traditional; however, its independence has enabled it to be
adventurous. Subjects that are available include History, Geography,
French, German, Spanish, Mandarin, Latin and Greek. But besides the languages
that it teaches, the advent of pupils from immigrant families has led to the
presence of less common native languages among the pupils. Teacher Stephen Walsh was so inspired by the educational
benefits enjoyed by pupils that he has developed a school-wide poetry in
translation project
And so a pupil at Christ’s Hospital fought off stiff competition
to win The Stephen Spender Prize 2020 for poetry in translation in the
14-and-under category. Hannah Jordan, won first prize out of over
a thousand entries with her translation of a Tamil poem and received her
prize at a virtual ceremony on 18th November. Hannah continues a great tradition of poetry translation
at Christ’s Hospital; many of the school’s students have had success in the
competition in recent years, translating from a host of different languages,
including Japanese, Swedish, Russian, Swahili and Modern Greek.
Hannah described in the commentary that accompanied her entry how
she liked the poem because it was so true to her experience of life in
India. “When we visit my family are constantly fixing things for my
grandparents. As soon as we arrive, my dad puts together a long list of all the
things that need fixing; inevitably, when we return, there is another list, yet
we all get by just fine, even if the monsoon winds blow through the gaps in the
wall.”
Hannah found the poem on a website, then worked with her mother on any
tricky Tamil words then, in classic fashion, developed her literal version
(what translators call a trot) into something more poetic, including for
example the clever device of the repetition of And yet in each stanza. “One
difficulty was making sure that the poem sounded funny in English yet kept the
specific Tamil problems in the translation,” says Hannah.
Here is her translation:-
AND YET— OUR TAMIL LIFE
By Manushya
Puthiran (2001)
Translated by Hannah Kripa Jordan
These doorbells –
Does it matter they don’t ring?
And yet—
None of my visitors
Have left without today’s gossip.
The bathroom latch is broken, so what?
A year and a half has gone by.
And yet—
No one’s privacy has been invaded,
No daydreams interrupted.
The chair may have a broken leg,
Its balance a little rocked.
And yet—
To the startled guest,
Not a hint of disrespect.
For more than a week now,
My car-brakes have been failing.
And yet—
God keeps watch on this city.
Still I return home,
In one full piece.
I suffer a pain in my belly,
But what can I do?
Nowadays it returns frequently.
And yet—
If I recline at a certain angle,
I can just about bear the pain.
Predicaments may be endless
In most parts of our life,
And yet—
Tamil life is plain sailing,
A thread without knots
As always with a literary translation, it can be judged either for its
accuracy in rendering the original or as a production in the target language. In this
case we have an unusual chance to make a comparison because Prabha Sridavan, a Tamil
contributor to this blog, has kindly tracked down for us an earlier translation
of the same poem done in India by acknowledged experts (see Sources). We also get
a rare chance to compare a translation done by adults with one done by an
adolescent.
Here is the earlier translation:-
The doorbells
don’t work
but no one goes away.
These one-and-a-half years
with no latch on the bathroom door
have endangered
no one’s privacy.
The broken leg of this chair
will not insult a guest
only slightly imbalance him.
I have been travelling
in this god-protected city
in a vehicle without brakes
for a week.
That pain at the base of the stomach,
somewhere to the left,
comes often these days.
if I sleep at a particular angle for a while
I can manage.
There is a lot
to be set right
everywhere.
Even so,
uncomplicated
is Tamil life.
Sources
Stephen Spender Trust. http://www.stephen-spender.org/spender_prize.html
or click [HERE].
The Stephen Spender Trust is a charity promoting literary translation
and multilingualism through school workshops and the annual Stephen Spender
Prize for poetry translation, organised in association with the Guardian newspaper
.
The following link takes you to the Stephen Spender Prize Celebration online
event where Hannah reads her poem at 16:37: https://youtu.be/kaq7ESAa16s or click [HERE]. The video is well worth listening to. The
comments by the children are remarkably adult.
Translation by C. S. Lakshmi and Arundhathi Subrimanian,
in The Unhurried City; Writings on Chennai, edited by C. S. Lakshmi, Penguin
Books India, New Delhi, 2004.
Image
Hannah Jordan. Source: The District Post.